Twitter doesn’t deserve my hot takes anymore…

Twitter post by @011scenes: “there’s no stranger things without her sorry”

Well, yes and no. While 11 is the catalyst for much of the overall plot – the writers can’t seem to have the character do anything besides scowl, stretch out an arm, and grimace until her nose bleeds black.

Sure, Stranger Things doesn’t exist without her (narratively and well, literally, I suppose) but Stranger Things doesn’t know what to do with her either.

Goofing around with the social medias

  • I signed up for Post.News a few days ago and think it’s fine for now. I’m not sure who will adopt it outside of journalists (if they do), but I think I will stick around for a while.
  • I finally got my Mastodon.Social account set up as well. I’m still wrapping my head around the Federated system, but I see that I don’t necessarily have to split myself into multiple pieces. I already have multiple personalities online, so I need to be careful here 😉
  • Slowly I’m coming back to tumblr too, under my personal name, and want to use that as a place to post comments on articles and asides. While I wanted to keep everything here on my blog, I would still like to reach a larger audience.

My plan is to have daily summary of the things I like elsewhere until that becomes unnecessary or unwieldy (or I just abandon it due to forgetting, which is more likely). Feel free to follow me in any of those places.

If you hold the banhammer, can you banhammer yourself?

Like, an early subset of Twitter users are Something Awful forum goons — the most prominent of whom is Dril — and they love fucking with people.

Elizabeth Lopatto, “Elon Musk learns the hard way that being a Twitter troll is way more fun than being a mod” at The Verge

Did not think I was going to start my day thinking about the Something Awful forums or flashback to Worth 1000’s Photoshop tournament with them, but here I am.

Everything in content moderation…

Content moderation is what Twitter makes — it is the thing that defines the user experience. It’s what YouTube makes, it’s what Instagram makes, it’s what TikTok makes. They all try to incentivize good stuff, disincentivize bad stuff, and delete the really bad stuff.

From Nilay Patel’s “Welcome to hell, Elon” at The Verge