This is my illustration of the rhetorical situation, sort of. Think of it as a biblically accurate angel with less surety. All the stick figures are the same person, just at different moments. That’s the cardboard tube of genre in the middle. It has form but easily bendable. Yes. Ok.
This was also posted on Facebook.
Content moderation is what Twitter makes — it is the thing that defines the user experience. It’s what YouTube makes, it’s what Instagram makes, it’s what TikTok makes. They all try to incentivize good stuff, disincentivize bad stuff, and delete the really bad stuff.
From Nilay Patel’s “Welcome to hell, Elon” at The Verge
…looks like I gotta use it now. Welp.
Really interesting read on the connection between game theory and AI-assisted biology.
“Google DeepMind CEO Demis Hassabis explains how its AlphaFold AI program predicted the 3-D structure of every known protein”
My latest work order: “The pipes in Office 003 are making the strangest noise. It’s not consistent, but if I can capture it on my phone, I will. Normally there’s a gurgle here and a hiss there, but this sounds like something out of this world. I would like to not be the victim of some weird pipe mishap. Granted, as I’m writing this, the sound seems to have stopped. Suspicious.”
There was a video get-together for the launch of a fiction anthology that I have a story in. It was a little awkward for me since I didn’t know anyone, but someone asked me about teaching freshman composition and here’s my 3.5 minute response (Starts at 53:34 if the video link doesn’t work properly):
This was also posted on Facebook.
That’s because the Benevolent Dictators can sometimes turn malignant. Some of the policies that Big Tech insists keep its users safe actually endanger those users’ lives.
Source: How to Leave Dying Social Media Platforms
This is one of the articles that started me on my way to reclaiming a space online just for me.
This seems to be the most appropriate book to be reading right now. It, like any technology book, is dated already, but it’s a worthwhile dive into the media that drives our thinking.
My name is Heather Flyte and I am a writer and PhD student in English. Currently I am a teaching fellow at Lehigh University and I’m currently (finally) reading for my comprehensive exams.
I’m pulling back from posting my thoughts, images, etc. on various social media sites and hope to make this the home to everything digitally me. For a while, I’ll be posting here and there as a way to see how I like working in both formats. This experiment may be short lived or forever. We’ll see.
I don’t think social media is really all that healthy.
I’ve been positive in dealing my own rhetoric, especially in class. I’ve tried to discuss its functions conceptually, that there are benefits if you curate well and hypervigilant, but the labor costs outweigh the benefit.
I have been mindful of how I feel when I’m on a platform. Twitter is now where I feel the worst; Facebook is pretty neutral as I’ve culled my friends list down considerably. Instagram and TikTok are still relatively positive, if not actively negative. But I want to re-evaluate how *I* want to use platforms, what *I* want to say.
Right now, dunno, ya know?
This is going to be tricky as I read in Digital Composition and Rhetoric. There are more media out there than just social media channels, but like the sewage systems of most metropolitan areas, everything runs into them. Those channels are drivers of discourse now. We build cites based on how fast our shit flows underneath.
(Perhaps that’s not the best metaphor – but you see what I mean.)
I will be thinking a lot about how we pull back, as a society. How we maintain important connections, but not add to or get inundated by the garbage. Maybe it’s time to just go full in on a personal web-site. Keep all of my postings there and worry less about enGagEmeNT and more about cultivating a space for me.